Gilbert Charles Stuart
1755-1828
Gilbert Charles Stuart Locations
Gilbert Charles Stuart (born Stewart) (December 3, 1755 ?C July 9, 1828) was an American painter from Rhode Island.
Gilbert Stuart is widely considered to be one of America's foremost portraitists. His best known work, the unfinished portrait of George Washington that is sometimes referred to as The Athenaeum, was begun in 1796 and left incomplete at the time of Stuart's death in 1828. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for over one century.
Throughout his career, Gilbert Stuart produced portraits of over 1,000 people, including the first six Presidents of the United States. His work can be found today at art museums across the United States and the United Kingdom, most notably the Metropolitan Museum of Art in New York City, the National Gallery of Art in Washington, D.C., the National Portrait Gallery in London, and the Museum of Fine Arts in Boston. Related Paintings of Gilbert Charles Stuart :. | Man in a Green Coat | Dolly Madison | Miss Dick and her cousin Miss Forster | Portrait of Joseph Brant | Portrait of Joshua Reynolds | Related Artists: samuel pepysBorn: 23 February 1633
Birthplace: London, England
Died: 16 May 1703
Best Known As: Author of Samuel Pepys' diaries
SQUARCIONE, FrancescoItalian Painter, 1397-1468 Thomas StothardEnglish Neoclassical Painter, 1755-1834,English illustrator, painter and designer. He was one of the most popular, prolific and successful artists of his time and was highly regarded by such contemporaries as Thomas Lawrence and Walter Scott. He was the son of a prosperous publican and completed his apprenticeship as a silk weaver (1770-77), before studying at the Royal Academy, London (1777-c. 1783). From the beginning of his career, book illustration was his main area of activity. His earliest surviving works are in the decorative Rococo mode, but he soon adopted the more idealistic Neo-classicism of John Hamilton Mortimer and James Barry. Together with his friends and near contemporaries, William Blake and John Flaxman, Stothard developed an austere, linear style of draughtsmanship.
|
|
|